From the band web :
figure 2,4,9(quavers) melody must have a shape. we cannot have a note sticking out from the rest becuase of instrumental difficulty or a note going soft becuase its a low note. its musically awkard.
figure 2 people playing 1 quaver per bar must not play over the mf volume although its with a forzando. if we play too loud, we will have problems going to ff as the difference is much larger than wad we are playing now. show the difference between sf and no sf notes at 2 bars before 3.
figure 4 people playing 1 quaver per bar MUST look at mr lim['s conducting]. show the sf as stated on the score. everyone must do it equally, we cannot have the sax doing more than the euphos and overpowering the euphos.
4th bar of figure 5. SEMIQUAVERS MUST BE CLEAR AND EVEN! having a hole in the song is like.. the shape of a valcano. and sounds so like everyone colapse.
figure 12 trombones and clarinets must really listen out for each other to keep the interval withnin each section correct, and intonation with each other the same. clarinets should blend in abit more. the note F from baritone sax is usually sharp, try to use alternatives. horns must not sound muddy so that the fish can be seen.
well.. thats all.
and fall in at the atrium at 5:45 for night practice.practise hard everybody!
CREDITS : WHOEVER TYPED THIS :D THANKS
OUR SYF : 1st day (9th April 2007), 7th band, right after interval.
[[: LIYIN :]]